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            <title>Safety First - Episode 2</title>            
            <pubDate>Fri, 02 Nov 2007 06:58:05 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Safety First - Episode 2" height="90" src="http://frame.revver.com/frame/120x90/464762.jpg" /><p>Author: <a href="http://revver.com/u/MiniMovies/">MiniMovies</a><br />Added: Fri, 02 Nov 2007 06:58:05 -0800<br />Duration: 321</p><p>On the art of flying since 9-11. 
Safety First explores the indirect effects of 9-11 on our lives after entering an airport or traveling at ten thousand feet. </p>]]></description>
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                <media:text type="plain">On the art of flying since 9-11. 
Safety First explores the indirect effects of 9-11 on our lives after entering an airport or traveling at ten thousand feet. </media:text>

            <media:description type="plain">On the art of flying since 9-11. 
Safety First explores the indirect effects of 9-11 on our lives after entering an airport or traveling at ten thousand feet. </media:description>
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            <title>Dream City - Episode 1</title>            
            <pubDate>Tue, 16 Oct 2007 09:10:17 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Dream City - Episode 1" height="90" src="http://frame.revver.com/frame/120x90/436270.jpg" /><p>Author: <a href="http://revver.com/u/MiniMovies/">MiniMovies</a><br />Added: Tue, 16 Oct 2007 09:10:17 -0800<br />Duration: 470</p><p>A portrait of visitors of a theme park in a city in Northern Iraq. </p>]]></description>
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                <media:text type="plain">A portrait of visitors of a theme park in a city in Northern Iraq. </media:text>

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            <title>Dream City - Episode 2</title>            
            <pubDate>Tue, 16 Oct 2007 09:10:17 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Dream City - Episode 2" height="90" src="http://frame.revver.com/frame/120x90/436282.jpg" /><p>Author: <a href="http://revver.com/u/MiniMovies/">MiniMovies</a><br />Added: Tue, 16 Oct 2007 09:10:17 -0800<br />Duration: 366</p><p>A portrait of visitors of a theme park in a city in Northern Iraq. </p>]]></description>
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            <title>Dream City - Trailer </title>            
            <pubDate>Tue, 16 Oct 2007 09:10:17 -0800</pubDate>            
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                <media:text type="plain">A portrait of visitors of a theme park in a city in Northern Iraq. </media:text>

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            <title>Wild Scenes - Trailer</title>            
            <pubDate>Tue, 16 Oct 2007 09:10:17 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Wild Scenes - Trailer" height="90" src="http://frame.revver.com/frame/120x90/436291.jpg" /><p>Author: <a href="http://revver.com/u/MiniMovies/">MiniMovies</a><br />Added: Tue, 16 Oct 2007 09:10:17 -0800<br />Duration: 84</p><p>A film about people working in the Pashto movie industry. In Pakistan, better known as the alternative Lollywood porn industry. 
Watch more episodes at: www.minimovies.org</p>]]></description>
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                <media:text type="plain">A film about people working in the Pashto movie industry. In Pakistan, better known as the alternative Lollywood porn industry. 
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            <media:credit>Director: Akram Zadiq (1980), Produced by: Submarinechannel</media:credit>            
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            <title>Wild Scenes - Episode 1</title>            
            <pubDate>Tue, 16 Oct 2007 09:10:17 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Wild Scenes - Episode 1" height="90" src="http://frame.revver.com/frame/120x90/436297.jpg" /><p>Author: <a href="http://revver.com/u/MiniMovies/">MiniMovies</a><br />Added: Tue, 16 Oct 2007 09:10:17 -0800<br />Duration: 418</p><p>A film about people working in the Pashto movie industry. In Pakistan, better known as the alternative Lollywood porn industry. Watch more episodes at: www.minimovies.org</p>]]></description>
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                <media:text type="plain">A film about people working in the Pashto movie industry. In Pakistan, better known as the alternative Lollywood porn industry. Watch more episodes at: www.minimovies.org</media:text>

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            <media:credit>Director: Akram Zadiq (1980), Produced by: Submarinechannel</media:credit>
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            <title>Wild Scenes - Episode 2</title>            
            <pubDate>Tue, 16 Oct 2007 09:10:17 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Wild Scenes - Episode 2" height="90" src="http://frame.revver.com/frame/120x90/436311.jpg" /><p>Author: <a href="http://revver.com/u/MiniMovies/">MiniMovies</a><br />Added: Tue, 16 Oct 2007 09:10:17 -0800<br />Duration: 577</p><p>A film about people working in the Pashto movie industry. In Pakistan, better known as the alternative Lollywood porn industry. Watch more episodes at: www.minimovies.org</p>]]></description>
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            <media:title>Wild Scenes - Episode 2</media:title>            
            
                <media:text type="plain">A film about people working in the Pashto movie industry. In Pakistan, better known as the alternative Lollywood porn industry. Watch more episodes at: www.minimovies.org</media:text>

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            <title>Safety First - Trailer</title>            
            <pubDate>Tue, 16 Oct 2007 09:10:17 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Safety First - Trailer" height="90" src="http://frame.revver.com/frame/120x90/436329.jpg" /><p>Author: <a href="http://revver.com/u/MiniMovies/">MiniMovies</a><br />Added: Tue, 16 Oct 2007 09:10:17 -0800<br />Duration: 153</p><p>An exploration of the indirect effects of 9-11 on our lives. Watch more episodes at: www.minimovies.org</p>]]></description>
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            <media:title>Safety First - Trailer</media:title>            
            
                <media:text type="plain">An exploration of the indirect effects of 9-11 on our lives. Watch more episodes at: www.minimovies.org</media:text>

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            <media:credit>Director: Robert Oey (1966), Produced by: Submarinechannel</media:credit>            
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            <title>Safety First - Episode 1</title>            
            <pubDate>Tue, 16 Oct 2007 09:10:17 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Safety First - Episode 1" height="90" src="http://frame.revver.com/frame/120x90/436345.jpg" /><p>Author: <a href="http://revver.com/u/MiniMovies/">MiniMovies</a><br />Added: Tue, 16 Oct 2007 09:10:17 -0800<br />Duration: 288</p><p>An exploration of the indirect effects of 9-11 on our lives. Watch more episodes at: www.minimovies.org</p>]]></description>
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                <media:text type="plain">An exploration of the indirect effects of 9-11 on our lives. Watch more episodes at: www.minimovies.org</media:text>

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            <media:credit>Director: Robert Oey (1966), Produced by: Submarinechannel</media:credit>            
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            <title>Crass: White Punks On Hope</title>            
            <pubDate>Tue, 16 Oct 2007 09:10:17 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Crass: White Punks On Hope" height="90" src="http://frame.revver.com/frame/120x90/436357.jpg" /><p>Author: <a href="http://revver.com/u/MiniMovies/">MiniMovies</a><br />Added: Tue, 16 Oct 2007 09:10:17 -0800<br />Duration: 161</p><p>A filmic portrait of this last Punk stonghold. Watch the full-length documentary at: www.minimovies.org</p>]]></description>
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                <media:text type="plain">A filmic portrait of this last Punk stonghold. Watch the full-length documentary at: www.minimovies.org</media:text>

            <media:description type="plain">A filmic portrait of this last Punk stonghold. Watch the full-length documentary at: www.minimovies.org</media:description>
            <media:credit>Directed: Alexander Oey, Produced by: Submarinechannel </media:credit>            
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            <title>Crass: You're alredy dead</title>            
            <pubDate>Tue, 16 Oct 2007 09:10:17 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Crass: You're alredy dead" height="90" src="http://frame.revver.com/frame/120x90/436364.jpg" /><p>Author: <a href="http://revver.com/u/MiniMovies/">MiniMovies</a><br />Added: Tue, 16 Oct 2007 09:10:17 -0800<br />Duration: 279</p><p>A filmic portrait of this last Punk stonghold. Watch the full-length documentary at:www.minimovies.org</p>]]></description>
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                <media:text type="plain">A filmic portrait of this last Punk stonghold. Watch the full-length documentary at:www.minimovies.org</media:text>

            <media:description type="plain">A filmic portrait of this last Punk stonghold. Watch the full-length documentary at:www.minimovies.org</media:description>
            <media:credit>Directed: Alexander Oey, Produced by: Submarinechannel </media:credit>            
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            <media:credit>Directed: Alexander Oey, Produced by: Submarinechannel </media:credit>
            <media:category>crass minimovies punk rock</media:category>
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            <title>Room 2017 episode 2</title>            
            <pubDate>Wed, 05 Sep 2007 09:35:18 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Room 2017 episode 2" height="90" src="http://frame.revver.com/frame/120x90/386347.jpg" /><p>Author: <a href="http://revver.com/u/MiniMovies/">MiniMovies</a><br />Added: Wed, 05 Sep 2007 09:35:18 -0800<br />Duration: 655</p><p>It's every director's nightmare: to return home without your material. This is exactly what happened to director Rob Smits. At the beginning of Room 2017 we find him in a hotelroom in Taipei. He has just returned from a trip to the Yanomami Indians in the deep green of Venezuela. Few men with a camera had spent time with this fierce tribe before him. But money talks even in the wildest jungle today, and on the day of his departure all but one of Smits' tapes were confiscated. 
Drifting through Taipei, capturing cityscapes that express his disorientation in a way that reminds us of Wenders' brilliant documentary Tokyo-Ga, Smits has to ask himself the desperate question: 'How to make a film with no footage?' 
The result is not only a highly inventive minimovie, creating a visual story from scrap, but also a contemplation on identity in a world where escaping the ratrace has become all but impossible. 
We see a truly nerve-wrecking story of a man trying to regain what he was out to lose in the first place. Room 2017 turns a hopeless failure into a brilliant film. </p>]]></description>
            <category>2017</category><category>indians</category><category>jungle</category><category>rob</category><category>room</category><category>smits</category><category>yanomami</category>
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            <media:title>Room 2017 episode 2</media:title>            
            
                <media:text type="plain">It's every director's nightmare: to return home without your material. This is exactly what happened to director Rob Smits. At the beginning of Room 2017 we find him in a hotelroom in Taipei. He has just returned from a trip to the Yanomami Indians in the deep green of Venezuela. Few men with a camera had spent time with this fierce tribe before him. But money talks even in the wildest jungle today, and on the day of his departure all but one of Smits' tapes were confiscated. 
Drifting through Taipei, capturing cityscapes that express his disorientation in a way that reminds us of Wenders' brilliant documentary Tokyo-Ga, Smits has to ask himself the desperate question: 'How to make a film with no footage?' 
The result is not only a highly inventive minimovie, creating a visual story from scrap, but also a contemplation on identity in a world where escaping the ratrace has become all but impossible. 
We see a truly nerve-wrecking story of a man trying to regain what he was out to lose in the first place. Room 2017 turns a hopeless failure into a brilliant film. </media:text>

            <media:description type="plain">It's every director's nightmare: to return home without your material. This is exactly what happened to director Rob Smits. At the beginning of Room 2017 we find him in a hotelroom in Taipei. He has just returned from a trip to the Yanomami Indians in the deep green of Venezuela. Few men with a camera had spent time with this fierce tribe before him. But money talks even in the wildest jungle today, and on the day of his departure all but one of Smits' tapes were confiscated. 
Drifting through Taipei, capturing cityscapes that express his disorientation in a way that reminds us of Wenders' brilliant documentary Tokyo-Ga, Smits has to ask himself the desperate question: 'How to make a film with no footage?' 
The result is not only a highly inventive minimovie, creating a visual story from scrap, but also a contemplation on identity in a world where escaping the ratrace has become all but impossible. 
We see a truly nerve-wrecking story of a man trying to regain what he was out to lose in the first place. Room 2017 turns a hopeless failure into a brilliant film. </media:description>
            <media:credit>Rob Smits </media:credit>            
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            <media:credit>Rob Smits </media:credit>
            <media:category>2017 indians jungle rob room smits yanomami</media:category>
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            <title>Room 2017 episode 1</title>            
            <pubDate>Wed, 05 Sep 2007 08:26:18 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Room 2017 episode 1" height="90" src="http://frame.revver.com/frame/120x90/386321.jpg" /><p>Author: <a href="http://revver.com/u/MiniMovies/">MiniMovies</a><br />Added: Wed, 05 Sep 2007 08:26:18 -0800<br />Duration: 474</p><p>t's every director's nightmare: to return home without your material. This is exactly what happened to director Rob Smits. At the beginning of Room 2017 we find him in a hotelroom in Taipei. He has just returned from a trip to the Yanomami Indians in the deep green of Venezuela. Few men with a camera had spent time with this fierce tribe before him. But money talks even in the wildest jungle today, and on the day of his departure all but one of Smits' tapes were confiscated. 
Drifting through Taipei, capturing cityscapes that express his disorientation in a way that reminds us of Wenders' brilliant documentary Tokyo-Ga, Smits has to ask himself the desperate question: 'How to make a film with no footage?' 
The result is not only a highly inventive minimovie, creating a visual story from scrap, but also a contemplation on identity in a world where escaping the ratrace has become all but impossible. 
We see a truly nerve-wrecking story of a man trying to regain what he was out to lose in the first place. Room 2017 turns a hopeless failure into a brilliant film.    </p>]]></description>
            <category>2017</category><category>documentary</category><category>indians</category><category>minimovies</category><category>rob</category><category>room</category><category>smits</category><category>yanomami</category>
            <link>http://revver.com/video/386321/room-2017-episode-1/</link>
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            <media:title>Room 2017 episode 1</media:title>            
            
                <media:text type="plain">t's every director's nightmare: to return home without your material. This is exactly what happened to director Rob Smits. At the beginning of Room 2017 we find him in a hotelroom in Taipei. He has just returned from a trip to the Yanomami Indians in the deep green of Venezuela. Few men with a camera had spent time with this fierce tribe before him. But money talks even in the wildest jungle today, and on the day of his departure all but one of Smits' tapes were confiscated. 
Drifting through Taipei, capturing cityscapes that express his disorientation in a way that reminds us of Wenders' brilliant documentary Tokyo-Ga, Smits has to ask himself the desperate question: 'How to make a film with no footage?' 
The result is not only a highly inventive minimovie, creating a visual story from scrap, but also a contemplation on identity in a world where escaping the ratrace has become all but impossible. 
We see a truly nerve-wrecking story of a man trying to regain what he was out to lose in the first place. Room 2017 turns a hopeless failure into a brilliant film.    </media:text>

            <media:description type="plain">t's every director's nightmare: to return home without your material. This is exactly what happened to director Rob Smits. At the beginning of Room 2017 we find him in a hotelroom in Taipei. He has just returned from a trip to the Yanomami Indians in the deep green of Venezuela. Few men with a camera had spent time with this fierce tribe before him. But money talks even in the wildest jungle today, and on the day of his departure all but one of Smits' tapes were confiscated. 
Drifting through Taipei, capturing cityscapes that express his disorientation in a way that reminds us of Wenders' brilliant documentary Tokyo-Ga, Smits has to ask himself the desperate question: 'How to make a film with no footage?' 
The result is not only a highly inventive minimovie, creating a visual story from scrap, but also a contemplation on identity in a world where escaping the ratrace has become all but impossible. 
We see a truly nerve-wrecking story of a man trying to regain what he was out to lose in the first place. Room 2017 turns a hopeless failure into a brilliant film.    </media:description>
            <media:credit>Rob Smits</media:credit>            
            <media:player url="http://revver.com/video/386321/room-2017-episode-1/"></media:player>
            
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            <media:credit>Rob Smits</media:credit>
            <media:category>2017 documentary indians minimovies rob room smits yanomami</media:category>
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