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      <title>Videos by sidation</title>
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            <title>Zillah Minx at the White Trash in Berlin 2008</title>            
            <pubDate>Fri, 20 Jun 2008 22:46:23 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Zillah Minx at the White Trash in Berlin 2008" height="90" src="http://frame.revver.com/frame/120x90/977708.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Fri, 20 Jun 2008 22:46:23 -0800<br />Duration: 9</p><p></p>]]></description>
            <category>rubella ballet</category><category>shes a punk rocker uk</category><category>zillah minx</category>
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            <media:title>Zillah Minx at the White Trash in Berlin 2008</media:title>            
            
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            <title>Lily @ Rubella Ballet Gig in Luton 2008</title>            
            <pubDate>Fri, 20 Jun 2008 13:16:28 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Lily @ Rubella Ballet Gig in Luton 2008" height="90" src="http://frame.revver.com/frame/120x90/975624.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Fri, 20 Jun 2008 13:16:28 -0800<br />Duration: 51</p><p>Number 1 RB fan and excellent poi girl</p>]]></description>
            <category>day-glo</category><category>poi</category><category>punk girl</category><category>rubella ballet</category><category>shes a punk rocker u.k.</category><category>zillah minx</category>
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            <media:title>Lily @ Rubella Ballet Gig in Luton 2008</media:title>            
            
                <media:text type="plain">Number 1 RB fan and excellent poi girl</media:text>

            <media:description type="plain">Number 1 RB fan and excellent poi girl</media:description>
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            <title>Lily @ Rogue gig Luton</title>            
            <pubDate>Fri, 20 Jun 2008 13:16:28 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Lily @ Rogue gig Luton" height="90" src="http://frame.revver.com/frame/120x90/975647.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Fri, 20 Jun 2008 13:16:28 -0800<br />Duration: 65</p><p>Lily doing hardcore tap dancing and headbanging at the Rogue gig during the UK Decay Reunion 3</p>]]></description>
            <category>day-glo</category><category>poi</category><category>punk girl</category><category>rubella ballet</category><category>shes a punk rocker u.k.</category><category>zillah minx</category>
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            <media:title>Lily @ Rogue gig Luton</media:title>            
            
                <media:text type="plain">Lily doing hardcore tap dancing and headbanging at the Rogue gig during the UK Decay Reunion 3</media:text>

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            <title>Tube Disaster California 2007</title>            
            <pubDate>Wed, 18 Jun 2008 23:24:20 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Tube Disaster California 2007" height="90" src="http://frame.revver.com/frame/120x90/971004.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Wed, 18 Jun 2008 23:24:20 -0800<br />Duration: 131</p><p>the opening band for Anima Mundi and Conflict.
This was filmed by Sid (Drummer for Rubella Ballet) the original drummer for 'Flux of pink Indians' on the 'Tube Disaster' Single.</p>]]></description>
            <category>flux of pink indians</category><category>rubella ballet</category><category>shes a punk rocker uk</category><category>sidation</category><category>zillah minx</category>
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            <media:title>Tube Disaster California 2007</media:title>            
            
                <media:text type="plain">the opening band for Anima Mundi and Conflict.
This was filmed by Sid (Drummer for Rubella Ballet) the original drummer for 'Flux of pink Indians' on the 'Tube Disaster' Single.</media:text>

            <media:description type="plain">the opening band for Anima Mundi and Conflict.
This was filmed by Sid (Drummer for Rubella Ballet) the original drummer for 'Flux of pink Indians' on the 'Tube Disaster' Single.</media:description>
            <media:credit>Sid Truelove: camera operator / editor</media:credit>            
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            <title>Jimmy Pursey / White Riot</title>            
            <pubDate>Wed, 18 Jun 2008 19:16:45 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Jimmy Pursey / White Riot" height="90" src="http://frame.revver.com/frame/120x90/970615.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Wed, 18 Jun 2008 19:16:45 -0800<br />Duration: 160</p><p>Jimmy doing the Clash's White Riot at Victoria Park, London 2008</p>]]></description>
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                <media:text type="plain">Jimmy doing the Clash's White Riot at Victoria Park, London 2008</media:text>

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            <title>Money Talks / Rubella Ballet re-mastered</title>            
            <pubDate>Tue, 17 Jun 2008 22:52:53 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Money Talks / Rubella Ballet re-mastered" height="90" src="http://frame.revver.com/frame/120x90/967930.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Tue, 17 Jun 2008 22:52:53 -0800<br />Duration: 227</p><p></p>]]></description>
            <category>day-glo</category><category>punk</category><category>rubella ballet</category><category>shes a punk rocker u.k.</category><category>zillah minx</category>
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            <title>Oh Bondage Up Yours/X-Ray Spex</title>            
            <pubDate>Tue, 17 Jun 2008 19:22:30 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Oh Bondage Up Yours/X-Ray Spex" height="90" src="http://frame.revver.com/frame/120x90/967568.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Tue, 17 Jun 2008 19:22:30 -0800<br />Duration: 200</p><p>Poly Styrene performing 'Oh Bondage Up Yours' with super group Helsinki, this is Poly Styrene  30 years after doing her first Rock Against Racism rally in 1978, this footage features The Amazing Flash (ex-Rip rig &amp; panic) on sax currently rehearsing along with Sax the axe guitar, Sidation (Rubella Ballet/ex-Flux of Pink Indians) on drums, the band have not only the privilage to work with the legend that is Poly Styrene but to also the honour to work with the original bass guitarist for X-Ray Spex, Paul Dean. These musicians have been hand picked by Poly herself. 
X-Ray Spex are due to perform the early punk classics such as 'The day the world turned day-glo' &amp; 'I am a Poseur' at The Roundhouse in Chalk Farm in London on the 6th of September. 
Filmed by Sid on a Sony DSR PD150p DV Camcorder, edited on Final Cut Pro</p>]]></description>
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                <media:text type="plain">Poly Styrene performing 'Oh Bondage Up Yours' with super group Helsinki, this is Poly Styrene  30 years after doing her first Rock Against Racism rally in 1978, this footage features The Amazing Flash (ex-Rip rig &amp; panic) on sax currently rehearsing along with Sax the axe guitar, Sidation (Rubella Ballet/ex-Flux of Pink Indians) on drums, the band have not only the privilage to work with the legend that is Poly Styrene but to also the honour to work with the original bass guitarist for X-Ray Spex, Paul Dean. These musicians have been hand picked by Poly herself. 
X-Ray Spex are due to perform the early punk classics such as 'The day the world turned day-glo' &amp; 'I am a Poseur' at The Roundhouse in Chalk Farm in London on the 6th of September. 
Filmed by Sid on a Sony DSR PD150p DV Camcorder, edited on Final Cut Pro</media:text>

            <media:description type="plain">Poly Styrene performing 'Oh Bondage Up Yours' with super group Helsinki, this is Poly Styrene  30 years after doing her first Rock Against Racism rally in 1978, this footage features The Amazing Flash (ex-Rip rig &amp; panic) on sax currently rehearsing along with Sax the axe guitar, Sidation (Rubella Ballet/ex-Flux of Pink Indians) on drums, the band have not only the privilage to work with the legend that is Poly Styrene but to also the honour to work with the original bass guitarist for X-Ray Spex, Paul Dean. These musicians have been hand picked by Poly herself. 
X-Ray Spex are due to perform the early punk classics such as 'The day the world turned day-glo' &amp; 'I am a Poseur' at The Roundhouse in Chalk Farm in London on the 6th of September. 
Filmed by Sid on a Sony DSR PD150p DV Camcorder, edited on Final Cut Pro</media:description>
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            <title>She's a Punk Rocker UK 'Attractive'</title>            
            <pubDate>Thu, 20 Sep 2007 04:10:13 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="She's a Punk Rocker UK 'Attractive'" height="90" src="http://frame.revver.com/frame/120x90/402881.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Thu, 20 Sep 2007 04:10:13 -0800<br />Duration: 14</p><p>She's a Punk Rocker UK 'Attractive'</p>]]></description>
            <category>attractive</category><category>punk</category><category>rocker</category><category>shes</category><category>uk</category>
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            <title>She's a Punk Rocker UK 'Zips'</title>            
            <pubDate>Thu, 20 Sep 2007 04:10:13 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="She's a Punk Rocker UK 'Zips'" height="90" src="http://frame.revver.com/frame/120x90/402883.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Thu, 20 Sep 2007 04:10:13 -0800<br />Duration: 7</p><p>She's a Punk Rocker UK 'Zips'</p>]]></description>
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                <media:text type="plain">She's a Punk Rocker UK 'Zips'</media:text>

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            <title>Not on youtube</title>            
            <pubDate>Mon, 16 Jul 2007 20:04:08 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Not on youtube" height="90" src="http://frame.revver.com/frame/120x90/333480.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Mon, 16 Jul 2007 20:04:08 -0800<br />Duration: 33</p><p>Funny geezer at a rave</p>]]></description>
            <category>777</category><category>acid</category><category>antiworld</category><category>psy</category><category>rave</category><category>teckno</category>
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                <media:text type="plain">Funny geezer at a rave</media:text>

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            <title>07.07.07 Antiworld Festival</title>            
            <pubDate>Mon, 09 Jul 2007 05:13:09 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="07.07.07 Antiworld Festival" height="90" src="http://frame.revver.com/frame/120x90/325663.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Mon, 09 Jul 2007 05:13:09 -0800<br />Duration: 53</p><p> 070707 Antiworld Festival </p>]]></description>
            <category>antiworld</category><category>hard</category><category>house</category><category>mushroompendulumtecknotechno</category><category>pro-activeastrixinfected</category><category>psy</category><category>trance</category>
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            <media:title>07.07.07 Antiworld Festival</media:title>            
            
                <media:text type="plain"> 070707 Antiworld Festival </media:text>

            <media:description type="plain"> 070707 Antiworld Festival </media:description>
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            <title>She's a Punk Rocker U.K.</title>            
            <pubDate>Sun, 01 Jul 2007 05:43:06 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="She's a Punk Rocker U.K." height="90" src="http://frame.revver.com/frame/120x90/318721.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Sun, 01 Jul 2007 05:43:06 -0800<br />Duration: 5</p><p>This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</p>]]></description>
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                <media:text type="plain">This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:text>

            <media:description type="plain">This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:description>
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            <title>She's a Punk Rocker U.K.</title>            
            <pubDate>Sun, 01 Jul 2007 05:43:06 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="She's a Punk Rocker U.K." height="90" src="http://frame.revver.com/frame/120x90/318726.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Sun, 01 Jul 2007 05:43:06 -0800<br />Duration: 5</p><p>This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</p>]]></description>
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                <media:text type="plain">This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:text>

            <media:description type="plain">This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:description>
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            <title>Nettie Baker in She's a Punk Rocker U.K.</title>            
            <pubDate>Sat, 30 Jun 2007 16:37:11 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Nettie Baker in She's a Punk Rocker U.K." height="90" src="http://frame.revver.com/frame/120x90/318393.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Sat, 30 Jun 2007 16:37:11 -0800<br />Duration: 16</p><p>This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</p>]]></description>
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                <media:text type="plain">This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:text>

            <media:description type="plain">This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:description>
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            <title>Zillah Minx in She's a Punk Rocker U.K. Fashion</title>            
            <pubDate>Sat, 30 Jun 2007 12:13:08 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Zillah Minx in She's a Punk Rocker U.K. Fashion" height="90" src="http://frame.revver.com/frame/120x90/318149.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Sat, 30 Jun 2007 12:13:08 -0800<br />Duration: 8</p><p>This is a one-hour film Documentary by and about
Punk Rock Women
1977 Punk Rock an Oral History by the women who were part of Punk.

Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon.

1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk.

Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today.

The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media.

Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance.

Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives?

The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music.


Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976.
www.myspace/rubellaballet.com
Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</p>]]></description>
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                <media:text type="plain">This is a one-hour film Documentary by and about
Punk Rock Women
1977 Punk Rock an Oral History by the women who were part of Punk.

Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon.

1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk.

Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today.

The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media.

Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance.

Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives?

The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music.


Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976.
www.myspace/rubellaballet.com
Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:text>

            <media:description type="plain">This is a one-hour film Documentary by and about
Punk Rock Women
1977 Punk Rock an Oral History by the women who were part of Punk.

Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon.

1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk.

Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today.

The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media.

Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance.

Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives?

The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music.


Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976.
www.myspace/rubellaballet.com
Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:description>
            <media:credit>Zillah Minx</media:credit>            
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            <title>Michelle Archer 5 She's a Punk Rocker U.K.</title>            
            <pubDate>Sat, 30 Jun 2007 11:43:06 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Michelle Archer 5 She's a Punk Rocker U.K." height="90" src="http://frame.revver.com/frame/120x90/318140.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Sat, 30 Jun 2007 11:43:06 -0800<br />Duration: 4</p><p>This is a one-hour film Documentary by and about
Punk Rock Women
1977 Punk Rock an Oral History by the women who were part of Punk.

Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon.

1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk.

Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today.

The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media.

Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance.

Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives?

The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music.


Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976.
www.myspace/rubellaballet.com
Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</p>]]></description>
            <category>best</category><category>ever</category><category>funny</category><category>punk</category><category>punks</category><category>silly</category>
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                <media:text type="plain">This is a one-hour film Documentary by and about
Punk Rock Women
1977 Punk Rock an Oral History by the women who were part of Punk.

Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon.

1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk.

Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today.

The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media.

Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance.

Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives?

The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music.


Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976.
www.myspace/rubellaballet.com
Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:text>

            <media:description type="plain">This is a one-hour film Documentary by and about
Punk Rock Women
1977 Punk Rock an Oral History by the women who were part of Punk.

Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon.

1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk.

Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today.

The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media.

Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance.

Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives?

The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music.


Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976.
www.myspace/rubellaballet.com
Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:description>
            <media:credit>Zillah Minx</media:credit>            
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            <title>Michelle Archer 4 in She's a Punk Rocker U.K.</title>            
            <pubDate>Sat, 30 Jun 2007 07:13:08 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Michelle Archer 4 in She's a Punk Rocker U.K." height="90" src="http://frame.revver.com/frame/120x90/318010.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Sat, 30 Jun 2007 07:13:08 -0800<br />Duration: 6</p><p>This is a one-hour film Documentary by and about
Punk Rock Women
1977 Punk Rock an Oral History by the women who were part of Punk.

Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon.

1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk.

Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today.

The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media.

Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance.

Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives?

The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music.


Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976.
www.myspace/rubellaballet.com
Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</p>]]></description>
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            <media:title>Michelle Archer 4 in She's a Punk Rocker U.K.</media:title>            
            
                <media:text type="plain">This is a one-hour film Documentary by and about
Punk Rock Women
1977 Punk Rock an Oral History by the women who were part of Punk.

Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon.

1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk.

Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today.

The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media.

Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance.

Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives?

The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music.


Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976.
www.myspace/rubellaballet.com
Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:text>

            <media:description type="plain">This is a one-hour film Documentary by and about
Punk Rock Women
1977 Punk Rock an Oral History by the women who were part of Punk.

Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon.

1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk.

Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today.

The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media.

Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance.

Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives?

The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music.


Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976.
www.myspace/rubellaballet.com
Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:description>
            <media:credit>Zillah Minx</media:credit>            
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            <title>Michelle Archer 3 in She's a Punk Rocker U.K.</title>            
            <pubDate>Sat, 30 Jun 2007 07:10:17 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Michelle Archer 3 in She's a Punk Rocker U.K." height="90" src="http://frame.revver.com/frame/120x90/317993.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Sat, 30 Jun 2007 07:10:17 -0800<br />Duration: 5</p><p>This is a one-hour film Documentary by and about
Punk Rock Women
1977 Punk Rock an Oral History by the women who were part of Punk.

Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon.

1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk.

Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today.

The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media.

Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance.

Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives?

The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music.


Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976.
www.myspace/rubellaballet.com
Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</p>]]></description>
            <category>anarchist</category><category>ballet</category><category>crass</category><category>equal</category><category>feminist</category><category>girls</category><category>poison</category><category>political</category><category>powerful</category><category>punk</category><category>revolutionist</category><category>rights</category><category>rubella</category><category>women</category>
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                <media:text type="plain">This is a one-hour film Documentary by and about
Punk Rock Women
1977 Punk Rock an Oral History by the women who were part of Punk.

Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon.

1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk.

Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today.

The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media.

Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance.

Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives?

The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music.


Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976.
www.myspace/rubellaballet.com
Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:text>

            <media:description type="plain">This is a one-hour film Documentary by and about
Punk Rock Women
1977 Punk Rock an Oral History by the women who were part of Punk.

Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story. Caroline Coon.

1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk.

Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society's attitudes to women today.

The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media.

Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance.

Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives?

The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women's roles in a dynamic movement that irreversibly changed the face of society, politics, art and music.


Director: Zillah Minx -- Lead singer with punk band rubella ballet since 1976.
www.myspace/rubellaballet.com
Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:description>
            <media:credit>Zillah Minx</media:credit>            
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            <title>Caroline Coon in She's A Punk Rocker U.K. </title>            
            <pubDate>Sat, 30 Jun 2007 06:43:07 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Caroline Coon in She's A Punk Rocker U.K. " height="90" src="http://frame.revver.com/frame/120x90/317973.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Sat, 30 Jun 2007 06:43:07 -0800<br />Duration: 8</p><p>This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women’s liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society’s attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women’s roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx – Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</p>]]></description>
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                <media:text type="plain">This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women’s liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society’s attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women’s roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx – Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:text>

            <media:description type="plain">This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women’s liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society’s attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women’s roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx – Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:description>
            <media:credit>Zillah Minx</media:credit>            
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            <title>Zillah Minx in She’s A Punk Rocker U.K. </title>            
            <pubDate>Sat, 30 Jun 2007 06:13:09 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Zillah Minx in She’s A Punk Rocker U.K. " height="90" src="http://frame.revver.com/frame/120x90/317953.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Sat, 30 Jun 2007 06:13:09 -0800<br />Duration: 47</p><p>She’s A Punk Rocker U.K. This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women’s liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society’s attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women’s roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx – Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</p>]]></description>
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            <media:title>Zillah Minx in She’s A Punk Rocker U.K. </media:title>            
            
                <media:text type="plain">She’s A Punk Rocker U.K. This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women’s liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society’s attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women’s roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx – Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:text>

            <media:description type="plain">She’s A Punk Rocker U.K. This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women’s liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society’s attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women’s roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx – Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:description>
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            <title>She'a Punk Rocker UK Starring Trailer</title>            
            <pubDate>Sat, 23 Jun 2007 10:43:07 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="She'a Punk Rocker UK Starring Trailer" height="90" src="http://frame.revver.com/frame/120x90/310925.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Sat, 23 Jun 2007 10:43:07 -0800<br />Duration: 94</p><p> This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women’s liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society’s attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women’s roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx – Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</p>]]></description>
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            <media:title>She'a Punk Rocker UK Starring Trailer</media:title>            
            
                <media:text type="plain"> This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women’s liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society’s attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women’s roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx – Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:text>

            <media:description type="plain"> This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women’s liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society’s attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women’s roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx – Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:description>
            <media:credit>Zillah Minx / Director
Sid Truelove / Editor &amp; camera</media:credit>            
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            <media:credit>Zillah Minx / Director
Sid Truelove / Editor &amp; camera</media:credit>
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            <title>Zillah Minx in She's a Punk Rocker U.K. 1</title>            
            <pubDate>Thu, 21 Jun 2007 11:10:13 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Zillah Minx in She's a Punk Rocker U.K. 1" height="90" src="http://frame.revver.com/frame/120x90/308770.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Thu, 21 Jun 2007 11:10:13 -0800<br />Duration: 47</p><p>2007 marks 30th Anniversary of the Punk explosion in the UK.

This documentary tells the story directly from the punk women who created the Punk scene in UK. These are the punk women on the streets of the UK. Before the Sex Pistols appeared on TV and revealed an underground punk world, to the public. These are the women punks who shocked the world. This is their story of being punk told in an oral history format.

To commemorate this turning point in contemporary British culture, U.V.P. Productions have produced a documentary highlighting the role of the women in the movement and their attitude and influence on life, both then and now.


</p>]]></description>
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            <media:title>Zillah Minx in She's a Punk Rocker U.K. 1</media:title>            
            
                <media:text type="plain">2007 marks 30th Anniversary of the Punk explosion in the UK.

This documentary tells the story directly from the punk women who created the Punk scene in UK. These are the punk women on the streets of the UK. Before the Sex Pistols appeared on TV and revealed an underground punk world, to the public. These are the women punks who shocked the world. This is their story of being punk told in an oral history format.

To commemorate this turning point in contemporary British culture, U.V.P. Productions have produced a documentary highlighting the role of the women in the movement and their attitude and influence on life, both then and now.


</media:text>

            <media:description type="plain">2007 marks 30th Anniversary of the Punk explosion in the UK.

This documentary tells the story directly from the punk women who created the Punk scene in UK. These are the punk women on the streets of the UK. Before the Sex Pistols appeared on TV and revealed an underground punk world, to the public. These are the women punks who shocked the world. This is their story of being punk told in an oral history format.

To commemorate this turning point in contemporary British culture, U.V.P. Productions have produced a documentary highlighting the role of the women in the movement and their attitude and influence on life, both then and now.


</media:description>
            <media:credit>Zillah Minx</media:credit>            
            <media:player url="http://revver.com/video/308770/zillah-minx-in-shes-a-punk-rocker-uk-1/"></media:player>
            
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            <title>Michelle Archer in She’s A Punk Rocker U.K. 1 </title>            
            <pubDate>Wed, 20 Jun 2007 07:07:14 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Michelle Archer in She’s A Punk Rocker U.K. 1 " height="90" src="http://frame.revver.com/frame/120x90/307275.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Wed, 20 Jun 2007 07:07:14 -0800<br />Duration: 7</p><p>She’s A Punk Rocker U.K. This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women’s liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society’s attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women’s roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx – Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</p>]]></description>
            <category>crass</category><category>equality</category><category>feminist</category><category>gangs</category><category>girls</category><category>music</category><category>outspoken</category><category>poison</category><category>punk</category><category>revolutionary</category><category>women</category>
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            <media:title>Michelle Archer in She’s A Punk Rocker U.K. 1 </media:title>            
            
                <media:text type="plain">She’s A Punk Rocker U.K. This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women’s liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society’s attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women’s roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx – Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:text>

            <media:description type="plain">She’s A Punk Rocker U.K. This is a one-hour film Documentary by and about Punk Rock Women 1977 Punk Rock an Oral History by the women who were part of Punk. Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women’s liberation story. Caroline Coon. 1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society’s attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media. Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations &amp; events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses - from the perspectives of punk women - women’s roles in a dynamic movement that irreversibly changed the face of society, politics, art and music. Director: Zillah Minx – Lead singer with punk band rubella ballet since 1976. www.myspace/rubellaballet.com Producer: Mark Saunders, Exodus from Babylon, The truth Lies in Rostock &amp; The Battle of Trafalgar. http://www.spectacle.co.uk/</media:description>
            <media:credit>Zillah Minx  Director</media:credit>            
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            <media:credit>Zillah Minx  Director</media:credit>
            <media:category>crass equality feminist gangs girls music outspoken poison punk revolutionary women</media:category>
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            <title>Poly Styrene in She’s A Punk Rocker U.K. film teaser 5</title>            
            <pubDate>Mon, 18 Jun 2007 19:13:07 -0800</pubDate>            
            <description><![CDATA[<img width="120" alt="Poly Styrene in She’s A Punk Rocker U.K. film teaser 5" height="90" src="http://frame.revver.com/frame/120x90/305665.jpg" /><p>Author: <a href="http://revver.com/u/sidation/">sidation</a><br />Added: Mon, 18 Jun 2007 19:13:07 -0800<br />Duration: 5</p><p>	She’s A Punk Rocker U.K.
This is a one-hour film Documentary by and about
Punk Rock Women
1977 Punk Rock an Oral History by the women who were part of Punk.

Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women’s liberation story. Caroline Coon.

1977 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk.

Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated a